The first words out of Adele’s mouth at Wembley Stadium on Wednesday evening were memorable ones. “F— me,” the singer said. “I have never been so f—ing scared in all of my f—ing life.”
The singer’s anxiety as she began the first of four shows at the London venue, dubbed “The Finale” because they end her 18-month tour run on “25,” was understandable. The opening show broke attendance records for Wembley, drawing nearly 98,000 fans to the in-the-round setting — breaking the venue record set by U2 in 2009. The singer, who joked that she’d considered canceling the concert the night before, was quick to note, however, “Once I settle into me nerves, I’ll be fine.”
Settle she did. As the 18-song set unfolded, frequently interrupted by the singer’s rambling, hilarious chatter, Adele seemed more and more at ease in the massive arena. From her opening number of “Hello,” she grew increasingly more comfortable with the space—and with the fact that the fans circled the stage, which was set aloft in the middle of the field. By her fifth number, a lively rendition of “Rumour Has It,” Adele had found her groove.
She rolled through a selection of both hits and deeper album cuts and scattered her setlist choices across all three of her albums rather than emphasizing “25.” The set, which lasted nearly two hours and had no opening act, relied on Adele’s voice to carry the audience through. The production was minimal and classy. Video screens encircled the stage, playing clips previously used in this touring cycle, although the shots of London during “Hometown Glory” were edited to include shots of a burned Grenfell Tower — the singer made an impassioned plea for audience members to donate 5 pounds each to the relief fund for victims of the fire earlier this month, in which an estimated 80 people died.
In a lighter moment, the singer brought out a men’s choir for her rendition of “Skyfall,” joking that they’d ignored her request to perform shirtless; a fireworks display illuminated “Set Fire to the Rain,” the song that concluded the main set.
Despite the enormity of the venue, which implemented heightened security checks at the entrances, Adele encouraged a feeling of intimacy throughout. The circular stage gave her the means to interact with all sides of the room and she took a pause midway to fire a T-shirt gun in four directions (“Say hello to my little friend,” she quipped, gripping the gun). She repeatedly told the crowd that she’d forgotten the words to the next song, asking for help with each lyric. Whether she actually needed the help was a moot point; the assertion gave the audience an even bigger motivation to sing louder and more forcefully. As Adele launched into “Someone Like You,” the three-track encore’s finale moment, there was a tangible sense of community. The collective feeling of 98,000 fans, all who have felt hurt or heartbreak at some point in their lives, lingered after the final notes.
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